Everything But The Girl - On My Mind

JUL 01 1983 · 12:00

Everything But The Girl - On My Mind

Everything But The Girl - On My Mind (1983) Director: Big TV! Era: UK Independent Sophisti-Pop Emergence (1982–1984) - Pre-major-label era of EBTG on Cherry Red Records; British indie scene defined by jazz-inflected minimalism and post-punk lyricism High. This is one of very few surviving promotional films from EBTG's pre-major-label Cherry Red period, noted as 'RARE' in at least one archival anthology listing. It captures Tracey Thorn and Ben Watt in their earliest incarnation as a duo, before the commercial and aesthetic evolution that would define their later career. Its documentary value as an artefact of the early UK sophisti-pop and indie scenes, and of Cherry Red's visual culture, is considerable for any archive focused on British popular music history. Context: Released in 1983 as a promotional video for the B-side of EBTG's debut Cherry Red single 'Night and Day' (originally released June 1982, reissued August 1983), 'On My Mind' documents the duo at the precise threshold of their career, still operating within the UK independent scene before signing to Blanco y Negro/Warner for their 1984 debut album Eden. The song itself, written by Tracey Thorn, originated as a Marine Girls track, connecting EBTG's origins to the lo-fi post-punk girl-group world. The video's sparse, untheatrical aesthetic reflects the visual sensibility of Cherry Red's wider stable, anti-commercial, intimist, and rooted in the art-school tradition of understated expression that characterised the early-1980s UK indie milieu. Director notes: IMVDb credits this video to Big TV! as director on its dedicated video entry page. A secondary IMVDb data entry also lists 'Chris Collins' as director, creating a conflict. The Big TV! credit appears on the primary dedicated video page and is treated as the more authoritative listing. No production notes, budget figures, shoot location, or behind-the-scenes documentation were found in available sources. The video's low saturation (24.48), low motion score (6.42), and moderate shot length (4.52s) are consistent with the restrained, low-cost production style typical of early Cherry Red Records promotional clips.

Source: radarchive.org

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