Wang Chung - Everybody Have Fun Tonight
JUL 01 1986 · 12:00
Wang Chung - Everybody Have Fun Tonight (1986) Director: Godley & Creme (Kevin Godley & Lol Creme) Era: Mid-Period MTV Golden Age (1986) - Peak of the new wave synth-pop era, when music video became the dominant promotional medium and experimental editing was reaching its artistic zenith on MTV. High curatorial value as a confirmed Godley & Creme-directed work from their most prolific and influential period. The video is a textbook exemplar of their signature rapid multi-take intercutting technique applied to a song that became Wang Chung's biggest US hit. It serves simultaneously as a primary source document for mid-1980s British new wave visual culture, a technical artifact of pre-digital high-speed editing methodology, and evidence of the symbiotic relationship between MTV broadcast aesthetics and pop chart success. The warm, high-contrast, wood-toned visual palette and performance-only format give it a time-capsule authenticity rarely achieved in more effects-heavy contemporaries. Context: Released in autumn 1986, 'Everybody Have Fun Tonight' arrived at the apex of MTV's cultural dominance, when a visually distinctive music video could meaningfully accelerate a single's chart trajectory. The song reached No. 2 on the US Billboard Hot 100 during the 1986 Christmas season and topped the Canadian RPM chart in January 1987, commercial performance directly amplified by heavy MTV rotation. Godley & Creme, themselves former members of 10cc and art-school alumni, brought a fine-art and experimental-film sensibility to the video form that distinguished British-directed clips from more straightforward American counterparts. The rapid editing technique used here, presenting the same performance in fractured, overlapping temporal slices, exemplifies the period's fascination with video as an autonomous aesthetic object rather than mere promotional film, and foreshadowed later digital editing grammar. Wang Chung, as a British new wave act finding their greatest commercial success in the United States, also embodied the transatlantic cultural exchange at the heart of 1980s pop. Director notes: The music video for 'Everybody Have Fun Tonight' premiered on September 26, 1986, concurrent with the single's release from Wang Chung's fourth studio album Mosaic. Directed by Godley & Creme, it features the band performing in a wood-lined room, with the duo deploying their signature technique of very rapid editing between different takes of the same performance, creating an effect described as 'flip-book-style animation.' This approach, which Godley & Creme had developed and refined over years of MTV-era work, here reaches a particularly intense application, with multiple formation arrangements, close portrait shots, ensemble groupings, and dancer compositions, cut together in a hypnotic, near-stroboscopic rhythm. The style was noted for its disorienting, seizure-evoking visual intensity. The quantitative metadata (56 scene changes, avg shot 4.56s, but with intra-shot micro-edits) confirms that the perceived cut rate is considerably higher than the raw scene-change count implies, consistent with Godley & Creme's multi-pass intercutting methodology.
Source: radarchive.org
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